Japan Philosophical Landscapes – Release
Have been working constantly on the old film Japan Philosophical Landscapes film. Have made a new version in a different format and finally I managed to get an edited version which works. Certainly it is good enough to put up on Amazon Video Direct which I think is the perfect platform for this film. I never thought it would work on DVD. However I have since revised that opinion and I might release a DVD version as well. The Amazon video direct spot is perfect as it can be viewed as part of the Amazon Prime service which doesn’t entail buying the film although the film earns money for the amount of hours it is viewed. I have completed the closed captions. In many ways I have changed my attitude towards the film. I took it much too seriously and therefore feared criticism. Now I have an easier relationship to it and do not think of it as a real heavy laden piece of work but something much of an experiment – looser and adapted for the internet, concentrating more on the story rather than the preciseness of the images. Some things have worked well, better than I expected. The film fits within the overall project Japan Philosophical landscapes which includes the film Tokyo Journey and David Burliuk and the Japanese Avant-garde as well as the book Journey to Ogasawara. The film can be downloaded here: Japan Philosophical Landscapes
Tokyo Journey and Closed Captions on Amazon Video Direct
Closed captions is something that defeated me in getting my films ready and published on Amazon Video Direct. I use an Amazon company called Create Space to market my films on DVD and the Internet. Now DVDs are becoming more difficult to sell on the internet and downloaded films are becoming more important. In 2016 all my films (all eight of them) were migrated to The Amazon Direct Video Service so that they could only be downloaded and sold directly through Amazon. The criteria for publishing is quite specific and somewhat strict. One of the criteria are closed captions for the those whose hearing is impaired or are deaf. Closed captions are like sub titles.
Closed captioning (CC) and subtitling are both processes of displaying text on a television, video screen, or other visual display to provide additional or interpretive information. Both are typically used as a transcription of the audio portion of a program as it occurs (either verbatim or in edited form), sometimes including descriptions of non-speech elements.
This can be quite tricky but there is a way of doing it which can minimise the pain. Most non linear video editing programmed have a closed captioning facility. Go into the closed captioning facility and add the captions according to where the dialogue or text is located in the film. Once you have finished you render your film to which ever format you want and then save and export a srt. file which stored the textual data which can be used and matched by amazon when it is upload to your dashboard on Amazon Video Direct.
The editing programme I use is Vegas Video Pro. The process is as follows. Find the point in the timeline you wish to insert text into. Click on Insert and then command and the menu comes up. In the command box chose 608CC1. Then type your text in the comment box and press OK. Then repeat for all the other text you wish to insert as a closed caption. Rememeber also to change the Timecode format to Time and Frames.
To export the srt. film click on tools, scripting and chose export closed captioning for Youtube option
The process is different for Adobe Premier and other programmes but the priciples are similar.
The Russian Theatre Film Series – New book publication
Also it is a commentary on what it means to make an independent arts documentary film series in a foreign country namely Russia. Not so much from the technical point of view although there is plenty of technical aspects covered but more from the point of view of a kind of interior process. It is an expedition into the phenomenology of film-making, what obstacles have to be overcome, both physical and technically but more importantly some of the lived experience of film-making. For some people making independent films is a way of life in the same way that for others theatre is a way of life or acting is a way of life or painting or whatever is a way of life. You can’t live without it or outside it. The fact that you have to spend a year or two of your life on each film means that it is a life decision. So it has an existential element and this quality of film-making is explored in the book. How the series came about, what were the thought processes involved in the development of the series, which influenced the series overall – who helped who didn’t, why things went wrong and why they went right. The book is a staging post on the way to further developments clearing the ground before moving forward to the next phase – a book about The Fairground Booth plus a film on this subject.