Biomechanics – Project – Book and Film

As I come to the end of The Russian Theatre Film Series book already new horizons opening up. Yesterday completed the artwork for the cover, so all that remains is to proof read the book one more time and check everything over for layouts and other things. I have been tantalizingly speaking to a publisher but still feel I should work at my own pace and within my own resources although it is always worth exploring all the publishing outlets which might be available.

Already there are ideas percolating through with regard to The Fairground Booth book and beyond. As always it is too early to write about this as the ideas themselves are appearing more as clues to developing work. One idea is to do another book about the theatre but only biomechanics. To make it more as an illustrated book with pictures but also text. The black and white tones will make I believe a very good visual impact. Working on this tonight – fleshing out a broad plan and outline with possible subjects to be included.

 The book should concentrate on visuals but also have text. It will be like a kind of graphic novel or one could say a graphic non fiction book – is that a new genre? – a hybrid book.

Last week we were out during the Maslenitza  celebrations in Moscow. At first I didn’t even want to go out that day but eventually we decided that we just have to get out of the apartment and walk around. Then once we arrived at the square in Moscow were the celebrations were taking place at he statue of Yuri Dolgoruky I didn’t really want to film anything. It didn’t seem as if there was anything interesting going on and that all the masks and costumed  people were not there. but I got the camera out in any case and began. Then things started to happen. The crowds were moving, there was traditional folk singing and high spirits and there was a guy in an old costume with a hood which began to add to the atmosphere. he made faces at the audience and looked like something from the middle ages – somehow intimidating. Then the masks began appearing and I was filming in full swing. The atmosphere was that of a shrovetide celebration and had an air of authenticity which I was able to enhance and emphasize within an initial edit. One of the masks reminded me of the 4 masks which adorn the Theatre Satyra building in Moscow and combining these images would prove effective. By accident I found a photograph of the building taken at night. I had filmed the building during the day and it was quite bland so I did not use the footage in any of the films I had made earlier. At night however the masks are lit from above and below and the effect is very striking. I will go back hopefully in the next few days to film this building from various angles.

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